Monday, February 25, 2013

Damned if you do, damned if you don't

Heather Aimee O’Neill, “Mars May Have Been a Land of Lakes”

Let’s begin by deciding what it is
we’re trying to define. You’re
impossible. That’s what I’ve decided,
that’s how I’ve defined you.

Nature has a way of compensating.
As a blonde, I should have 38,000 more
strands of hair on my head than my
brunette sister, my redhead brother.

You found one on your pillow
and, hours after I left, called to see
if I wanted it back. An eyelash,
you would have kept for yourself.

Mars may have been a land of lakes,
but the satellite orbits us, and the photos
cannot reveal such distant history.
And why should they? We can’t

even be honest with each other,
let alone believe the billion years
it took for us to happen: first water,
then body, voice and faith.

Friday, February 22, 2013

She's seeking out the places, those other people can't go

People Like Us - Jessica Piazza

1.
Remade again, we make the same mistakes again:
unthinking love like insects lustfully swerving loops.
Like most girls, I stoke mental midnight barbeques—
destroy incriminating artifacts, defend,
absolve the most foregonely inconclusive men.
By day I play nonstop if/then, internally pluck
a love me, love me not lament. And when
he goes, I go too far; turn hard. I bolt the locks
behind him, one by one. But always when he comes
I weave a line from gauze, thin thread for him to climb
from her to me once more, decision time
delayed again. He can’t be sure. I’m sure I’ve done
things wrong. But he attracted me; it happened, still.
And now our love’s not whether, but how long until.

2.
It isn’t whether. No. Only: how long until
how bad it gets. Our quick, our clutch. Or, sluggish rift.
How costly this, a wished subletting of the heart.
Not mine to squat in; he’s not mine (it’s fine). But still:
that sock-to-the-stomach, sudden hollow Ugh! You see
the ante? I’m already un and raveling;
this scanty hope swan-songing my integrity.
(But maybe, also, just a little, reveling?
PiƱata pricked, unpilfered? Tamed tsunami swell?
An overflowing loving cup?) Tut, tut! Too cursed.
Too much. I won’t allow it. Silly, sad, or worse:
tonight I’ll disavow these high-jinks, hurts, these hells.
(I will? I might.) I must. Such surefire track to lack,
a certain fade to black . . . . Oh fuck it. Holler back.

3.
Drawn curtain: faded, black. We fucked. We hollered. Back-
tracked and let sunlight in. Repeated. Weekended
in secret. Got outed. Paused. Rebounded. Tended
belabored hearts, but badly. Madly loved. Attacked
covertly. Wept explicitly. Like sailors pressed
to duty on a ship, we gauged our endless trip
in knots; threw cannonballs of angry nots, then stripped
our decks with unexpected yeses. Reaped such bless-
ings, only to blaspheme them. Wars, then truces: meant
them. Didn’t mean them. Lost him and redeemed him. Pleased
him. Keened. Appeased no one. Repeated. When he ceased
his meanness, I retreated. Wanted, but discounted
what I needed. Didn’t know I ended when
this first began. But I would do it all again.

4.
When this began, I knew I’d do it. Fall again,
do wrong again. Born into debt, I know I owe
for every weapon, every word. Each lie, each sin,
each deed a bead that slides along a wire in rows,
internal abacus to tally each offense.
Together, we hurt everything we touch; apart,
ourselves. How do we choose? At some point, counterpoint
is pointless—only voices voicing dissonance.
Our bodies: losing arguments we enter in-
to too relentlessly, astride a fence we see
can’t pen us endlessly. We’ll pay eventually.
Your stroke, your fingers at my throat, the paraffin
that I become: we are both crime and smoking gun.
And we’ll continue hiding it from everyone.

5.
We can’t continue hiding. Almost everyone
is hiding; almost everyone is getting caught.
Distraught, we fight. We keep our shutter-eyelids shut
against the doormat-sleeping days we know will come.
And every winsome man’s like you—an eyelash shy
of possible. And every frantic woman wants
to get to the heart of a fleeing, wing-beating heart.
People like us: we’re dust, we’re everywhere. We lie
in spaces between places praying madly for
each other, staying mad at one another, hot
because we’re bothered. Chasing careless fathers or
neglectful mothers. Listen well: I love you, but
it’s over. The inevitable mess we’ve been,
unmade again. Mistake I’ll never make again.


Original appearance in No Tell Motel.

Sunday, February 17, 2013

Bring it on home to me

Elsa, IT’S OKAY. CRYING On The Bathroom Floor Is

Elsa, IT’S OKAY. CRYING on the bath-
room floor is a RIGHT of passage. You will
PRESS YOUR CHEEK against the bathroom tile and
find comfort in that irony. You will REPLAY THE
THINGS he said to you in those first 2 weeks
of dating. You will REMEMBER YOUR PLANS
to go to ———— together. IT WILL
FEEL like a condom on your heart. You
will DO THIS at least 17 times be-
fore you turn 35. EVERY TIME hurt-
ing will be different. You will EAT ONLY
WAFFLES and hope you lose twelve pounds. This is
a ritual YOU WILL CALL HEARTBREAK.
IT WILL DESTROY YOU LIKE NOTHING ELSE COULD.